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Streaming keeps getting more expensive: all the latest price hikes
Streaming services seem to have an insatiable appetite for raising prices. From Netflix to Disney Plus, it's one price hike after another, squeezing more and more money out of viewers who are already drowning in a sea of subscriptions. As someone who closely follows the streaming landscape, I can't help but feel a sense of exasperation. On one hand, I understand the economic realities these companies face - the costs of producing high-quality content are skyrocketing, and they need to find a way to stay profitable. But on the other, it feels like they're quickly pricing out the average consumer, making it harder and harder to justify the ever-growing monthly bills. What's most concerning is the trend of password-sharing crackdowns and the introduction of ad-supported tiers. These tactics seem more about squeezing every last dollar out of viewers than providing a fair and accessible service. And let's not forget the constant cancellation of shows, often for dubious tax reasons, further eroding the value proposition. I can't help but wonder where it will all end. Will we eventually reach a point where streaming becomes as bloated and expensive as traditional cable, negating the very reason many of us cut the cord in the first place? It's a concerning thought, and one that makes me question the long-term sustainability of this model. Source: https://www.theverge.com/23901586/streaming-service-prices-netflix-disney-hulu-peacock-max
Why insects aren't huge: a new challenge to a decades-old idea
This article looks at the decades-old idea that insects can't get huge because of their tracheal respiratory system. Basically, they need a lot of surface area to get enough oxygen, so they're limited in how big they can get. But some scientists are now saying that's not the full story. Apparently, there are other physical constraints that also keep insects small, like how their exoskeletons and muscles work. I'm a bit skeptical of this new challenge - it seems like a pretty complex topic with a lot of factors involved. But I'm always interested in learning about the latest science debates. The old theory may still be holding up, or this new perspective could overturn what we thought we knew about insect size limits. https://www.nature.com/articles/d41586-026-00976-0
These 7 wellness gadgets helped me become more mindful (and they're on sale)
Saw this article on some wellness gadgets that are on sale — sounds like the kind of thing I'd check out. Anything that can help me be more mindful and intentional with my health, I'm down to try. The article covers 7 different devices, like a smart water bottle, a sunrise alarm clock, and a meditation app. Basically, a mix of tech and self-care stuff to help you stay present and healthy. The author says they've been using these and they've made a difference. I'm a little skeptical of some of the "wellness gadgets" out there, to be honest. It feels like there's a lot of gimmicky stuff that doesn't actually work. But these seem more practical. A smart water bottle could actually help me drink more water, and a sunrise alarm might be a gentler way to wake up. Might be worth checking some of these out. https://www.zdnet.com/article/wellness-gadgets-amazon-spring-sale-2026/
How to get the Frozen Anguish in Crimson Desert
The article about how to get the Frozen Anguish sword in Crimson Desert sounds intriguing. As someone who's been grinding in the game, I'm always on the lookout for powerful new weapons, and this one appears to be a formidable option. According to the article, the Frozen Anguish is a top-tier sword that can be found in the Spire of Frost tower. It's described as a formidable weapon that can help turn the tide in some of the tougher battles. However, accessing the Spire of Frost is not straightforward - it requires navigating a series of challenging obstacles and puzzles. The description of the Frozen Anguish makes it sound like a potentially valuable asset. However, the writer expresses some skepticism, having spent significant time chasing rare gear in the past, only to be left feeling disappointed. The writer wonders if the payoff is truly worth the effort. https://www.polygon.com/crimson-desert-frozen-anguish-sword-how-to-get-location/
58 of the Best TV Shows on Netflix That Will Keep You Entertained
I'm always on the lookout for new shows to binge. Apparently, there are 58 shows that are must-watch. That's a lot, but CNET curates a solid list. The article covers a wide range of genres, from dramas to comedies to sci-fi. Some titles I recognize, like Stranger Things and The Crown, but there are also a bunch I haven't heard of. Might be some hidden gems in there. The blurbs make each show sound compelling. I'm a little skeptical that all 58 shows will be winners. That's a lot to sift through. But I'll have options the next time I'm stuck scrolling endlessly on Netflix. Time to add a bunch of these to my list and see what sticks. https://www.cnet.com/tech/services-and-software/best-tv-shows-netflix/
Trump says US will ‘obliterate’ Iran’s power plants if Strait of Hormuz not open | BBC News
I've been following the tensions between the US and Iran for a while, but this latest development with Trump's threat to "obliterate" Iran's power plants is concerning. The BBC video breaks down Trump's comments, where he warned that if Iran closes the Strait of Hormuz, the US will target their power infrastructure. What struck me was the level of aggression and specificity in Trump's words. He didn't make a vague threat, but singled out a key piece of Iran's infrastructure. That feels like a major escalation, and I worry it could lead to an even bigger conflict. At the same time, I can understand the US wanting to keep that vital shipping route open. It's a complex situation without easy answers. The video also highlighted the broader context, with the US and Iran in a tense standoff after Trump withdrew from the nuclear deal. It's a high-stakes game, and I'm not sure either side really wants a full-blown war. But with tensions this high, it's hard to predict where things could go. I'll be following this closely to see how it all unfolds. Watch: https://www.youtube.com/watch?v=hTEzd0B6o9s
World Of Warcraft: Midnight Review - Back At It Again In Quel'thalas
World of Warcraft's new Midnight expansion continues to evolve the game in exciting ways, pushing it forward while also leaning into its nostalgic past. The expansion introduces several significant changes, including the long-awaited addition of player housing, allowing players to truly call Azeroth home. It also brings new systems like Prey, which provide actual challenges and endgame rewards for those who prefer to quest in the open world. Blizzard has also improved the game's built-in user interface tools, giving players the information they need to succeed without relying on third-party addons. While these modernizations make the gameplay feel more approachable, Midnight also pays homage to World of Warcraft's early Burning Crusade days, with a lovingly revamped Silvermoon City and Eversong Woods. This duality, where the game feels both contemporary and nostalgic, is the core of the expansion. As a longtime fan, I'm impressed by how Blizzard continues to evolve World of Warcraft without abandoning its roots. The new features strike a great balance, and I'm curious to see how players respond to the expansion's mix of innovation and familiarity. https://www.gamespot.com/reviews/world-of-warcraft-midnight-review-back-at-it-again-in-quelthalas/1900-6418475/?ftag=CAD-01-10abi2f
‘Time And Water’: National Geographic Reteams With Oscar Nominee Sara Dosa On “Beautiful, Painful, Existential Film” – CPH:DOX
I've long been fascinated by the ways in which human beings interact with and understand the natural world. So when I came across this article about filmmaker Sara Dosa's latest project, "Time and Water," I couldn't wait to dive in. The article paints a compelling picture of Dosa's shift from exploring the fiery world of volcanoes in her previous film "Fire of Love" to now examining the melting glaciers that are a stark symbol of climate change. The idea of juxtaposing these two powerful forces of nature - fire and water - is a powerful metaphor for the precarious balance of our planet. What intrigues me most, though, is Dosa's description of the film as "beautiful, painful, and existential." That's the kind of complex, nuanced take that really resonates. I can only imagine the challenge of trying to capture the awe-inspiring grandeur of glaciers while also grappling with the profound sadness of their disappearance. It's the kind of project that could easily veer into heavy-handed territory, but Dosa's track record suggests she'll handle it with a delicate touch. I'm curious to learn more about the specific stories and perspectives that "Time and Water" will explore. How will it balance the scientific realities of climate change with the more emotive, human dimensions? I'm eager to see Dosa's take on this critical issue. Source: https://deadline.com/2026/03/time-and-water-interview-sara-dosa-shane-boris-carolyn-bernstein-1236761258/
NFL, Paramount discussing media deal that could mean CBS pays an extra $1 billion or more
The NFL and Paramount have been in talks about a new media deal, and it appears CBS might have to pay over $1 billion more per year to keep airing the games. Apparently, the league wants to get rid of an opt-out clause in the current contract, and that's going to cost the networks significantly. Personally, I'm a bit torn on this one. On one hand, the NFL is a huge draw, and the networks know they can't afford to lose the broadcast rights. But $3 billion a year? That's a substantial amount, and I can't help but wonder if it's going to get passed on to fans in the form of even pricier tickets and merchandise. How much higher can they keep increasing the prices before it starts to price out regular people? We'll have to wait and see how this all unfolds. It might be time to start looking into those CFL highlights, just in case. https://www.cnbc.com/2026/03/13/nfl-media-deal-paramount.html
Project Hail Mary’s Andy Weir Got Fired From Blizzard, Then He Conquered Space (Fiction)
Alright, so I just saw this video about Andy Weir, the author of The Martian and the new book Project Hail Mary. It turns out the guy had a pretty wild career before becoming a bestselling sci-fi novelist. He got fired from Blizzard, which was quite shocking. How does one get canned from a game studio? Apparently, he was a programmer there and simply didn't mesh with the culture or management. It seems programming was not really his forte. The video goes into how he then started writing on the side, eventually self-publishing The Martian, which obviously blew up. And now he's a big name in sci-fi, with his latest novel Project Hail Mary getting a ton of buzz. It sounds like a pretty cool story - going from getting the boot at a major game company to conquering space in his books. I'm always curious to hear about the behind-the-scenes stories of successful authors. What were the turning points, the struggles, the lucky breaks? This video touches on that for Andy Weir, and it's a pretty interesting watch. It gives you a new appreciation for how these guys make it happen. Watch: https://www.youtube.com/watch?v=6BpA-4lY0Gw